Amazing Grey Nightjar!

This year I have been focusing less on photographing birds and more on classic birdwatching. I have learned birds more quickly but sometimes miss the creativity that comes with photography. On Sat. 17 Oct., I returned to photography with a Grey Nightjar. I was on Lesser Yangshan Island, Zhejiang, China.

Photographing a roosting Grey Nightjar is like photographing a rock. The bird doesn't move. It's therefore possible to get incredible close-ups. In this image, I aimed for as much detail as possible on the head. I wanted to illustrate the way in which the nightjar's head is exquisitely designed for camouflage and insect-catching. Look at the bristles around the bill!
Photographing a roosting Grey Nightjar is like photographing a rock. The bird doesn’t move. It’s therefore possible to get incredible close-ups. In this image, I aimed for as much detail as possible on the head. I wanted to illustrate the way in which the nightjar’s head is exquisitely designed for camouflage and insect-catching. Look at the bristles around the bill! (Craig Brelsford)

I was walking alone and noticed the nightjar resting on a bamboo pole. It was hiding in plain sight; a few minutes before, I’d passed that site and failed to see the nightjar. I crawled through brush to within 6.5 m of the bird. The goatsucker took little notice of me, never moving except to open its eye a little.

The moments with the nightjar filled me with pleasure. For those 20 minutes while I took the shots, there was nothing else in the world except this usually mysterious and elusive, now completely accessible and photographable, nightjar. I admired the beauty of the nightjar and the efficiency of its design. This Caprimulgid is a flying piece of bark and leaf litter, a creature designed to hide by day, relying on its near-perfect camouflage, and at dusk devour flying insects. The long bristles around its tiny bill are the tools it uses to feed.

Featured image: Grey Nightjar Caprimulgus jotaka. Nikon D3S, VR 600mm F/4G, F/14, 1/20, ISO 640, using mirror-up + cable and with camera mounted on Manfrotto MVH502AH video head and Manfrotto MT055CXPRO3 carbon fiber tripod. (Craig Brelsford)